Starring Juliette Binoche, Judi Dench, Johnny Depp, Victoire Thivisol, Lena Olin,
Alfred Molina, Carrie-Anne Moss, Peter Stormare, Leslie Caron, John Wood, Hugh O'Conor,
Aurelien Parent-Koenig. Written by Robert Nelson-Jacobs. Directed by Lasse Hallstrom.
In 1959 France, a strong north wind blows Vianne (Binoche) and Anouk (Thivosol) Rocher
into a small village. They arrive at the door of Armande Voizin (Dench), an aging,
dour pensioner, and seek to rent out an unused shop to make a home and open a Chocolaterie.
One reason Armande is so cranky is she has not been allowed to see her grandson Luc
Parent-Koenig) by her upright, overprotective daughter Caroline (Moss).
Unfortunately, Vianne and Anouk have arrived during Lent, and the mayor Comte de Reynaud
(Molina) is not amused Vianne is presenting this temptation to his subjects. He is
also not impressed she is unmarried and not interested in attending mass. But despite
the Comte's displeasure, and his pressuring the new priest Pere Henri (O'Conor) into
denouncing the her Chocolaterie, townspeople begin to warm to her welcoming and kindly
ways. There is always a cup of hot chocolate (the real thing) made with her own special
recipe waiting for those who pass by.
One such passerby is Josephine Muscat (Olin), who is terrorized by her barkeeping
husband Serge (Stormare). After being beaten yet again, she leaves him and takes
residence with Vianne. Soon, a boatload of drifters takes up on the shores of town
including a handsome Roux (Depp), much to the dismay of both the Comte and the townspeople.
Vianne and Anouk befriend Roux and his friends and family, leading to even more friction
between them and the town. But both Vianne and Anouk are sick of going from town to
town, and must decide whether to stay or move on.
I was a bit apprehensive about seeing Chocolat, but I was pleasantly surprised.
The film is a charming, sweet fable presented (most of the time) with a very light touch.
Like the magical Like Water For Chocolate, attractive, sumptuous food is used
to express love and community, and as a means of giving happiness and
bringing people together. To the Comte and the priest, it is something which one
must refrain from enjoying during the long season of Lent in order to build character
to resist temptation. The Comte sees chocolate is a symbol of decadence, the thin
edge of the wedge which might loosen his grip on the townspeople he tries to control.
Like Hallstrom's Cider House Rules, a very liberal, humanistic spirit pervades
the film. Tradition and self-denial is portrayed here as intolerant and repressive.
Religion is used by the Comte and the priest, as a means to keep unsavoury ideas and
people out of his quiet little town and maintain the "tranquility" the town has enjoyed
for years. Religious faith is shown as narrow-minded and mean-spirited - it is Vianne
who accepts the river people without reservation, and the townspeople who declare them
a blight on their town's morality which much be scourged. But the townspeople lead
lives with little joy. The anti-faith bias is not subtle, but the kind of
religious intolerance and rigidity shown is unfortunately not always inaccurate.
Binoche is excellently cast, exuding both warmth and strength as the outsider trying
to win over the town. And Dench, as always, is sensational as the strong-willed
matron, an outsider in her own town. Young Thivisol, amazing a few years back in
the excellent Ponette is charming as the good-hearted girl yearning to
be accepted by the town. Depp, Olin and even Moss acquit themselves well among
a very strong cast.
While the first half of the film is light and fun, gradually the Comte and religion
are portrayed too simplisticly. We are manipulated a bit much in how we are supposed
to view the good guys and the bad guys. And the Comte's fall from grace is, well,
gracelessly handled and unnecessarily sours the taste of the film for awhile. But
overall, Chocolat is a romantic film in the best sense of the word, and well
worth a taste.
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